Audient ASP510 Surround Sound Controller Bedienungsanleitung PDF herunterladen

FUSE

230

051101

50/60Hz

MAINS SUPPLY

40 WATTS

RISK OF

ELECTRIC SHOCK

DO NOT OPEN

RISQUE DE CHOC

NE PAS ENLEVER

CAUTION

ATTENTION

ALWAYS

REPLACE

WITH SAME

FUSE TYPE:

230V T250mA

115V T500mA

REMOTE

WARNING

THIS EQUIPMENT MUST BE EARTHED

DO NOT EXPOSE TO RAIN OR MOISTURE

SPEAKERS

CONSOLE INTERFACE

STEREO RECORD/PLAY

SURROUND RECORD B

SURROUND RECORD A

SURROUND PLAY B SURROUND PLAY A SURROUND BUS INPUTS

DECODER

ENCODER

STEREO RECORD/PLAYBACK

5.1 AND STEREO MIXES FROM CONSOLE

5.1 RECORD

5.1 PLAY

2 TRACK TAPE B RECORD/PLAYBACK

2 TRACK TAPE A RECORD/PLAYBACK

SURROUND A RECORD/PLAY

DOLBY DIGITAL ENCODED RECORD/PLAY

TO POWER AMPS/SPEAKERS

SURROUND AND STEREO MIXES FROM CONSOLE

ENCODER SEND/RETURN

DECODER SEND/RETURN

MULTI TRACK RECORDER A

TWO TRACK RECORDER B

TWO TRACK RECORDER A

6 CHANNEL ADC

L alt

SUB

Dolby DP562 DECODER

Dolby DP569 ENCODER

AES3

DOLBY DIGITAL

RECORD

DOLBY DIGITAL

PLAY

STEREO RECORD/PLAYBACK

CONSOLE CONTROL ROOM AND GUIDE

OUTPUT SIGNALS, SOLO AND TALKBACK LOGIC

5.1 and DOLBY DIGITAL MIXING

APPLICATION NOTES

510

ANALOGUE SIGNAL PROCESSING

The ASP510 provides a number of

solutions for preparing 5.1 and Dolby

Digital masters. The schematic shown

assumes that both 5.1 and Dolby Digital are

to be created simultaneously.

The 5.1 mix from the console is

connected to the ASP510 via its

SURROUND BUS port with the 5.1

recorder interfaced via the

SURROUND A RECORD and PLAY ports,

monitoring is via the SURROUND A

RECORD AND PLAY monitor source

selection switches.

Dolby Digital encoders and decoders

are connected to the ASP510 SURROUND

B RECORD AND PLAY connectors (via

suitable convertors depending on the type

of codecs being used). The encoded output

is then recorded on two track machine C

with the machine output connected to the

decoder input and thereby to the ASP510.

The direct and recorded 5.1 mix can now

be monitored by using SURROUND A

PLAY and RECORD monitor selection

switches. Selecting SURROUND B PLAY

as the monitor source enables the decoded

output to be monitored before and after

tape (record/playback switching is

performed by the recorder).

The two track machines may be used to

record either the Stereo mix from the

console or a stereo downmix of the 5.1

mix by selecting BUS or DOWNMIX

respectively as the STEREO RECORD

SOURCE.

If a recording of the Dolby Digital encoded

5.1 mix is not required the encoder and

decoder may be looped together and

connected to the ASP510 ENCODER and

DECODER ports. The codecs can then be

inserted into the monitor chain by

depressing the ENCODER/DECODER

switch.

Compatibility checks are possible at all

times using the MONITOR FORMAT

selection switches.

TWO TRACK RECORDER C

LIVE SOURCES

24 TRACK RECORDER(S)

R alt

ASP

510

SURROUND CONTROLLER

BYPASS LCRS STE

MNO

BUS

ENC O/P

SURROUND

STEREO

ENCODER/

DECODER

MONITOR SOURCE

STEREO RECORD SOURCE

MONITOR FORMAT

ISOLATE

GUIDE

MODE

VOLUME

ASP

510

SURROUND CONTROLLER

CUT

REF

DIR

PLAY

SUB

5.1 and DOLBY DIGITAL MIXING 1

Inhaltsverzeichnis

Seite 1 - 5.1 and DOLBY DIGITAL MIXING

FUSEFUSE23005110150/60HzMAINS SUPPLYAC 40 WATTS RISK OF ELECTRIC SHOCK DO NOT OPEN RISQUE DE CHOCNE PAS ENLEVERCAUTIONATTENTIONALWAYS REPLAC

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